The play addresses themes of mourning and addiction to psychoactive substances. There is vulgar language used in some scenes.
The play “Long Day’s Journey into Night” is being staged by special arrangement with the United Talent Agency. This version of the play has been altered from the original publication by Eugene O’Neill.

One long summer day, the Tyrone family has to confront a difficult truth, hidden for years. As the day turns into night, a family inferno of mutual resentment and accusations grows between father, mother and two adult sons. As in a Greek tragedy, over the course of several hours, the protagonists will face their own past, the lies about themselves and their sense of guilt. Will the truth about themselves set them free?

“Long Day’s Journey into Night”, an 1941 autobiographical play by American drama classic Eugene O’Neill, is a study of the downfall of a family that is destroyed by addiction and lies. A study so realistic that the author banned its publication during his lifetime out of concern for the memory of the loved ones on whom the characters are modelled. The play was not staged until 1956, three years after his death. It became an immediate event and O’Neill was posthumously awarded the Pulitzer Prize for it.

“Once Upon a Long Day”, directed by the renowned Belgian director Luk Perceval, is the director’s adaptation of O’Neill’s drama, interpreted through the prism of contemporary addiction issues. Western societies are no longer only addicted to alcohol and drugs, as in O’Neill’s time, but also to social media, computer games, pornography, work, shopping. The stimulants change, but the mechanism of addiction remains the same. What void do addicts try to fill within themselves? What makes them escape from reality into a world of illusion? Why do they avoid the pain that life brings, and how can they confront this pain?

How can you stage a play about the downfall of a woman in a captivating and shocking way, while keeping the theatre costs as low as possible? This is the great mystery of Zawadzka’s artistry and Perceval’s theatre. Long Day’s Journey Into the Night is like a snowflake; if you catch it with your hand, it melts away. What matters most is what you experienced and felt.

Tomasz Domagała, domagalasiekultury.pl

Luk Perceval staged Eugene O'Neill’s classic play at the National Stary Theatre. The result is a dense, dark and captivating performance. The entire play takes place on an empty stage. The only element of the set design is a heavily worn armchair. This fits perfectly in the dilapidated house whose inhabitants are losing the strength to hide their true feelings towards their loved ones.

Michał Centkowski, Przegląd

Language: Polish (English subtitles)

After the performance there will be a meeting with the creators.

Cast

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