Łukasz Pruchniewicz

A graduate of the Lodz Film School, part of the ensemble at the Zeromski Theatre in Kielce since 2010. Previously, he worked on the stage of the New Theatre in Łódź.

Major roles:

  • Bogdan Winiarski, Jojakim Piekiełko in ”The Tale of the Snake's heart” based on Radek Rak's novel, dir. Marcin Liber, 2024
  • Baker in ”Helgi, son of Jón” by Tyrfingur Tyrfingsson, dir. Marta Streker, 2024
  • Lucjo, zbereźnik in ”Measure for measure” by Williama Shakespeare, dir. Dan Jemmett, 2023
  • Humphrey Bogart, Douglas, FBI agent, director's assistant in “The Life and Death of Mr Hersh Libkin from Sacramento, CA” by Ishbel Szatrawska, dir. Łukasz Kos, 2023
  • Wilkosz, historian in ”My quail has escaped” by Stefan Żeromski, dir. Michał Kotański, 2022
  • in "#mickiewiczeminescu" adapt. and dir. Tanja Miletić Oručević, Radu Ghilas, 2022
  • in “But with Our Dead” by Jacek Dehnel, dir. Marcin Liber, 2022
  • Michael in "The Kennedy Curse" by Jolanta Janiczak, dir. Wiktor Rubin, 2021
  • Michael in "Loretta" by George F. Walker, dir. Michał Kotański, 2020
  • Boris Simieonow-Piszczyk in “The Cherry Orchard” by Anton Czechov, dir. Krzysztof Rekowski, 2019
  • Intermediary, priest, client 2 in “≈[Almost equal to]” by Jonas Hassen Khemiri, dir. Una Thorleifsdottir, 2019
  • Uncle Stefan in Wiesław Myśliwski’s “The Horizon”, dir. by Michał Kotański, 2019
  • Michał Tomasiak, Civilian officer in “Shear Madness” by Paul Pörtner, dir. Jerzy Bończak, 2018
  • Jakub “As you like it” among to William Shakespeare, text Maja Kleczewska, Łukasz Chotkowski, dir. Maja Kleczewska, 2018
  • Leopold Winer/Karol Dorski in “Fast, fast…” based on Aleksander Fredro’s plays, dir. Mikołaj Grabowski, 2018
  • Czesław in Tomasz Śpiewak’s “1946”, dir. Remigiusz Brzyk, 2017
  • Fred/Doctor in “Kill the celebrity” by Radosław Paczocha, dir. by Gabriel Gietzky, 2017
  • Kamiński in “Az imposztor” by György Spiró, dir. Paweł Aigner, 2016
  • Leper in “Everyone wants to live” by Hanoch Levin, dir. Dawid Żłobiński, 2016
  • Greg Sanderson in “I’ll be back before midnight” by Peter Colley, dir. M. Bieliński, 2015
  • Fallen Angel in “Kordian” by Juliusz Słowacki, staging and dir. Piotr Szczerski, 2015
  • Liwicki, Man I, Stranger in “The Wages of Sin” by Stefan Żeromski, dir. Michał Kotański, 2014
  • Ghost of Soviet soldier in “Hemar. A cursed poet”, screenwriter and dir. Piotr Szczerski, 2014
  • Hortensio in “The Taming of the Shrew” by William Shakespeare, dir. Katarzyna Deszcz, 2014
  • Francis in “Suite Surrender” by Michael McKeever, dir. Mirosław Bieliński, 2013
  • Robber Madej in “The Cyrograph” by Renata Głasek-Kęska, dir. Maria Wójcikowska, 2010
  • Gooper, called Brother Man in “Cat on a Hot Tin Roof” by Tennessee Williams, dir. Katarzyna Deszcz, 2013
  • male role in the cabaret performance of Marian Załucki and Wojciech Młynarski’s “Mockery and Travesty”, dir. Mirosław Bieliński, 2011
  • Dottore in “Servant of Two Masters” by Peter Turrini, dir. B. Wyszomirski, 2011
  • Krzepicki in “The Career of Nicodemus Dyzma” by Tadeusz Dołęga-Mostowicz, dir. Piotr Sieklucki, 2010
  • Tybalt in “Romeo and Juliet” by William Shakespeare, dir. Julia Wernio, 2010
  • Father in “Last Such Father” by Artur Pałyga, dir. Łukasz Wit-Michałowski (New Theatre in Łódź), 2009
  • Enric Font in “The Gronholm Method” by Jordi Galcerána, dir. Ireneusz Janiszewski (New Theatre in Łódź), 2008
  • Staszek, Devil in “The Wedding” by Stanisław Wyspiański, dir. Ryszard Peryt (New Theatre in Łód), 2007
  • Doctor in “Hangover” by Michał Walczak, dir. Michał Walczak (New Theatre in Łódź), 2006
  • Yeshua in “Master and Margarita” by Mikhail Bulgakov, dir. Andrzej Maria Marczewski (New Theatre in Łódź), 2006
  • Larry in “Closer” by Patrick Marber, dir. Karolina Szymczyk (New Theatre in Łódź), 2005
  • Marmeladov in “Svidrigailov” by Fyodor Dostoyevsky, dir. Janusz Gajos (diploma role), 2005

Appeared in: TV series Sprawa na dziś, Warto kochać, Generał and films: Generał – zamach na Gibraltar (dir. Anna Jadowska, 2009), Yuma (dir. Piotr Mularuk 2012), Wyklęty (dir. Konrad Łęcki, 2017)