Łukasz Pruchniewicz

 

A graduate of the Lodz Film School, part of the ensemble at the S. Żeromski Theatre in Kielce since 2010. Previously, he worked on the stage of the New Theatre in Łódź.

His most important roles include:

  • Intermediary, priest, client 2 in Jonas Hassen Khemiri’s „≈[Almost equal to]”, directed by Una Thorleifsdottir (2019)
  • Uncle Stefan in Wiesław Myśliwski’s „The Horizon”, directed by Michał Kotański (2019)
  • Michał Tomasiak, Civilian officer in Paul Pörtner’s  „Shear Madness”, director Jerzy Bończak (2018)
  • Jakub „As you like it” among to William Shakespeare, text Maja Kleczewska, Łukasz Chotkowski, directed by Maja Kleczewska (2018)
  • Leopold Winer/Karol Dorski in „Fast, fast…” based on Aleksander Fredro’s plays, directed by Mikołaj Grabowski (2018)
  • Czesław in Tomasz Śpiewak’s „1946”, director Remigiusz Brzyk (2017)
  • Fred/Doctor in „Kill the celebrity” by Radosław Paczocha, directed by Gabriel Gietzky (2017)
  • Kamiński in György Spiró’s “Az imposztor” (Szalbierz), director Paweł Aigner (2016)
  • Leper in Hanoch Levin’s “Everyone wants to live” (Wszyscy chcą żyć), director Dawid Żłobiński (2016)
  • Greg Sanderson in Peter Colley’s “I’ll be back before midnight” (Wrócę przed północą), director M. Bieliński (2015)
  • Fallen Angel in J. Słowacki’s “Kordian”, staging and director Piotr Szczerski (2015)
  • Liwicki, Man I, Stranger in S. Żeromski’s “The Wages of Sin” (Dzieje grzechu), director Michał Kotański (2014)
  • Ghost of Soviet soldier in „Hemar. A cursed poet” (Hemar. Poeta przeklęty) screenwriter and director Piotr Szczerski (2014)
  • Hortensio in W. Shakespeare’s “The Taming of the Shrew” (Poskromienie złośnicy), director Katarzyna Deszcz (2014)
  • Francis in the Michael McKeever’s “Suite Surrender” (Hotelowe Manewry), director Mirosław Bieliński (2013)
  • Robber Madej in Renata Głasek-Kęska’s “The Cyrograph” (Cyrograf), director Maria Wójcikowska (2010)
  • Gooper, called Brother Man in Tennessee Williams’ “Cat on a Hot Tin Roof” (Kotka na gorącym blaszanym dachu), director Katarzyna Deszcz (2013)
  • male role in the cabaret performance of Marian Załucki and Wojciech Młynarski’s “Mockery and Travesty” (Kpiny i kpinki), director Mirosław Bieliński (2011)
  • Dottore in Peter Turrini’s “Servant of Two Masters” (Sługa dwóch panów), director B. Wyszomirski (2011)
  • Krzepicki in Tadeusz Dołęga-Mostowicz’s “The Career of Nicodemus Dyzma” (Kariera Nikodema Dyzmy), director Piotr Sieklucki (2010)
  • Tybalt in W. Shakespeare’s “Romeo and Juliet” (Romeo i Julia), director Julia Wernio (2010)
  • Father in Artur Pałyga’s “Last Such Father” (Ostatni taki ojciec), director Łukasz Wit-Michałowski (New Theatre (Teatr Nowy), Łódź 2009)
  • Enric Font in Jordi Galcerána’s “The Gronholm Method” (Metoda Gronholm), director Ireneusz Janiszewski (New Theatre (Teatr Nowy), Łódź 2008)
  • Staszek, Devil in Stanisław Wyspiański’s “The Wedding” (Wesele), director Ryszard Peryt (New Theatre (Teatr Nowy), Łódź 2007)
  • Doctor in Michał Walczak’s “Hangover” (Kac), director Michał Walczak (New Theatre (Teatr Nowy), Łódź 2006)
  • Yeshua in Mikhail Bulgakov’s “Master and Margarita” (Mistrz i Małgorzata), director Andrzej Maria Marczewski (New Theatre (Teatr Nowy), Łódź 2006)
  • Larry in Patrick Marber’s “Closer” (Bliżej), director Karolina Szymczyk (New Theatre (Teatr Nowy), Łódź 2005)
  • Marmeladov in Fyodor Dostoyevsky’s “Svidrigailov” (Swidrygajłow), director Janusz Gajos (diploma role, 2005)

The actor has starred in a few television series: “Issue for today” (Sprawa na dziś), “It’s worth to love” (Warto kochać), “The General” (Generał). He starred in the films: “The General – Attack on Gibraltar” (Generał – zamach na Gibraltar) directed by Anna Jadowska (2009), “Yuma” directed by Piotr Mularuk (2012), “The Wretched” (Wyklęty) directed by Konrad Łęcki (film in production).